“Shark Series: Ancient Catch,” a digital photograph from the series “Vanishing Species” by Beth Thomas, which goes on display at STC’s Pecan Campus Library Art Gallery on April 23.

South Texas College’s Pecan Campus Library Art Gallery is proud to present “Vanishing Species,” featuring a collection of digital photographs by Beth Thomas. The exhibit opens Thursday, April 23 with an artist lecture at 6 p.m. in STC’s Pecan Campus Building D Auditorium, and a reception immediately following from 7 to 9 p.m. in the Pecan Campus Library Art Gallery. The exhibit runs through May 22, 2009. STC’s Pecan Campus Library Art Gallery is located at 3201 W. Pecan Blvd. in McAllen. Admission to the exhibit and reception are free and open to the public.Currently a professor of art at Galveston College, Thomas uses the practice of photography to visually explore the external world of living at the ocean’s edge and her internal world wrestling with issues such as global warming, inter-relationship and spirituality, which have impacted her own personal survival.

“‘Vanishing Species’ is from a series of digital images which became an impressionistic study intended to function poetically and literally as a visual metaphor for the fleeting of time, life and nature’s beauty in our world which we take for granted,” said Thomas. “The photographs are seductive illusions. They are physical fragments on paper of thrilling and fleeting close encounters with swift and unpredictable sea creatures moving through water at close range, bathed in a blur of color and light in an ambiguous world. An extended moment – then it is gone.”

“Thomas is not only an artist and educator, but also an activist and her art is a vehicle for her concerns,” said David Freeman, curator and programs coordinator for STC’s Library Art Gallery Program. “Photography allows her a medium for the expression of unease and alarm at the intense and immediate disappearance of species from our planet. Her exhibit it adeptly titled ‘Vanishing Species’–an exhibit dealing with problems facing our endangered natural world.”

“A great wonderment comes to each viewer of these works and it arrives in the photograph, the vision, of these species. We seldom ever view a shark in its natural habitat and so to be able to sight these wonders and see their majesty is educational and informative, and Thomas enlightens us as to the fantastic world we live in but are unaware of. Beth Thomas is a multi-tasking artist succeeding in her attempt to save the planet through art.”

South Texas College’s Library Art Gallery Program exhibits regional, national and international artwork, explores new visions and theories of creativity, and introduces innovative artistic expressions to the South Texas region.

For more information call 872-3488.

By Marco Carbajal – PanAmerican Online
These days one cannot help but be assaulted daily via television and newspapers with images and stories that ignite anxiety. The economic downturn may make you lose your job and house and pay hundreds of dollars in gas money! There’s lead in your toys, salmonella in your peanut butter, melamine in your baby formula and terrorists waiting for you to let your guard down!!
Relax. While buying into fear has become an American way of life, now you can sell it.

UTPA and South Texas College partner to bring “Sell Your Fear,” a conference and graphic arts exhibit dealing with the broad aspects of fear in the 21st century and the role of marketing and selling fear via the arts touches all disciplines.

The event kicks off with a graphic exhibit open to the public starting March 26 at 6 p.m. at STC’s Pecan Campus art gallery and running through April 30. The conference will be held at UTPA on March 28-29 to coincide with FESTIBA, the yearly spring creative arts festival by the College of Arts and Humanities.

UTPA professors Robert P. Gilbert and David Martinez are coordinating the event along with STC professor and art gallery curator David Freeman.

Gilbert, associate professor of graphic design, came up with the “Sell Your Fear” theme after Freeman suggested they do an art show together. Freeman then had the idea of making an entire conference to go along with the art exhibit.

“It was originally going to be a graphic design conference on issues of morality in the design field and how it is used to create and perpetuate fear in politics and advertising,” Gilbert said. “Then we decided to open it up to people of all disciplines that speak about the idea of fear in America, so we want it to be very broad.”

Entries are encouraged from all disciplines and open to anyone anywhere in the world. Submissions eligible for acceptance should come in the form or posters and abstracts, which are written proposals for a presentation within the event’s theme.

Of the call for posters for the graphic exhibit, Gilbert says the concept is simple.

“We want people to create a piece of conceptual poster art that tries to sell their fear or make it seem desirable,” he said. “So it’s a little bit of a twisted kind of take on that.”

Gilbert adds that entrants should stick to political, national or socioeconomic fears rather than personal ones. The poster should have a title, imagery, sub-copy, be unmounted and unframed, and 24 by 36 inches in size. Each accepted work must be clearly labeled and arrive at STC postmarked no later than Feb. 26. Entries will then be juried and artists chosen for the exhibit will be notified March 9 via e-mail. Recognitions for best in show and first through third place will be awarded.

For entries in the abstract portion, written proposals should be submitted on a topic within the “Sell Your Fear” theme. Those chosen for the conference will then present research and papers, followed by a question-and-answer period and concluding with a panel discussion.

“We’re looking for speakers who want to talk about the whole idea of fear and negotiating fear,” said Martinez, assistant professor of graphic design. “We wanted to keep it pretty broad in terms of people who wanted to submit papers, or abstracts. So we’re very interested in multidisciplinary approaches and ideas here.”

Sofia K. Perez, an art gallery assistant at STC, said the theme definitely makes the conference unique and relevant to everyone.

“Fear is something that’s prevalent in our everyday existence,” she commented. “Whether it’s political or social, I think art is a form of expression and fear is such a strong emotion it can be expressed visually in an amazing way.”

Though this is the first time the conference will be held, coordinators are hopeful they can continue the event annually, with a different theme.

Entry forms are available at the UTPA art office and must be sent along with a $20 entry fee to South Texas College, C/O: Cashiers, P.O. Box 9701, McAllen, Texas, 78502. Both posters and abstracts must be shipped to Sofia K. Perez, South Texas College Library Art Gallery, 3201 W. Pecan Blvd. McAllen, Texas, 78501. For more information, contact STC at 872-3488.

“Untitled,” a digital photograph by Susan Harbage Page.

Pecan: March 12-April 17, 2009

Harbage Page’s art addresses such concerns as race, gender, identity politics, and illegal immigration. The subjects and materials of her large-scale photographs, altered textiles, videos, and installations are often associated with women, and picture the complex intersections of politics, gender, race, and religion in the United States, as well as Europe and the Middle East.

“I live in North Carolina, where we have an increasing number of Latino immigrants,” said Harbage Page. “I am interested in the border as a crossing point; a place of cultural intersection and transnational identity. I see it as a place to confront the current national issues accompanying immigration such as health care, education, employment and safety.”

“Harbage Page takes unnoticed items and refuse from our own backyard border district and raises them to the level of powerful art objects speaking of suffrage, repression, deficiency and poverty,” said David Freeman, curator and programs coordinator of STC’s Library Art Gallery Program. “Her work vividly shows the challenges immigrants face in seeking out a new and better life. Her portrayal of the tribulations that define the immigrant experience make for powerful content.

“As artists continue to seek fresh, new ways of seeing our world, Harbage Page succeeds in letting us perceive what we take for granted. She bring the subject matter into focus for us through poignant art. Her subjects are mostly just bits of trash and garbage like I.D. tags, lost identity bracelets, combs, an old tire or tooth brush, but put into the artist’s hands, a wonderful transformation takes place. Suddenly we see with new eyes, looking at a visual novel of the trials and tribulations of humanity.”

Harbage Page has shown her work nationally and internationally. Her art can be found in many public and private collections, including the Baltimore Museum of Art, the Birmingham Museum of Art, the High Museum of Art, the Houston Museum of Fine Arts, and the Israel Museum. Among her numerous awards are fellowships from the North Carolina Arts Council, the Camargo Foundation, and the Fulbright Program.

South Texas College’s Library Art Gallery Program exhibits regional, national and international artwork, explores new visions and theories of creativity, and introduces innovative artistic expressions to the South Texas region.

For more information call 872-3488.